The pillars of society, George
Grosz 1893-1959
George Grosz was born in Berlin. He was a prominent member
of Dada and the Communist Party of Germany. He was later influenced by
expressionism and futurism.
Grosz’s paintings are crude, to the point and
politically motivated. It tells people what is going on behind closed doors, of
people in high office.
The faces of the characters in the picture are dirty,
smoggy, not healthy and puppet-like. Their stance is deceptive politicians or
people of the justice system portraying their greed, hate, and deception (there it is nihilism). A war goes on outside, the city is on fire
yet they pay no attention. The painter does not think highly of the characters
in the picture, one has feces for brain; the other worms and the next has a urinal on his head. The
painter clearly despises the characters. I’m still trying to figure out the meaning of the feather in
the man’s hand in the brown suit. Does this mean he has a fetish of some sort? The
characters in the picture are not for the people, but for themselves and of destruction.
The
Café Terrace at Night, 1886, Vincent Van Gogh
Vincent Van Gogh was born In Groot-Zundart. He was
trained as an art dealer in Hague and London. He was an apprentice and study
under his cousin, the artist Anton Mauve. He was later inspired in 1886 by
impressionism. He experimented with oil painting and water colors and commonly
used landscapes, scenery and figures to express himself. Van Gogh’s styles of
painting, the dark earthy colors of traditional Dutch art and the vibrant hues
of impressionism were commonly used. He committed suicide due to depression at
the age of thirty seven. After his death
he was considered a renowned impressionist.
The lines of the buildings are defined; even the
cobblestones are intricately detailed and neatly drawn. Of course he loves to
use constellations in his paintings. The colors are vibrant but not
overwhelming. The scenery is calm, for a midnight walk or visits the local coffee
shop. The night-sky is such a dark contrast to the softer colors of the
village. This is also how we live in contrast, no matter how difficult or unforeseen
we have to make light (or the best) of it. I really enjoy his paintings.
All of the paintings contain contrasts of light, dark, good and bad and that is
reality. Nihilism exist whether we want it or not.
References:http://www.artyfactory.com/art_appreciation/art_movements/dadaism.htm
http://en.wikisource.org/wiki/Dada_Manifesto_(1916,_Hugo_Ball)--Dadaism, Hugo Ball, "Dada Manifesto"
References:http://www.artyfactory.com/art_appreciation/art_movements/dadaism.htm
http://en.wikisource.org/wiki/Dada_Manifesto_(1916,_Hugo_Ball)--Dadaism, Hugo Ball, "Dada Manifesto"
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